GLOBAL ART PROJECT

...an international mixed-media collaborative collective...

GLOBAL ART PROJECT:

GAP Is a membership-based International Collaborative Collective of Mixed-Media Artists whose active participants include 78 working artists operating in 18 countries. Having roots initially in web-based activity beginning in 2012 (postcard and correspondence and exchange art projects such as KNEE (jerk) Fragmentation Project) GLOBAL ART PROJECT has generated numerous workshops, exhibitions, and collaborative studio experiences in Venice, Lecce, and Treviso Italy, Mazatlán, Mexico, San Francisco, Senegal, Mill Valley, Benicia, Sausalito, and Novato California.

Our work reflects individual, personal and global concerns by virtue of the execution of the group incentive. We are creating and exhibiting work that allows freedom of expression and given this unique format, to communicate beyond language and culture with diverse artists from all over the world while remaining open to the opportunities of the moment accessed through various platforms allowing interaction not only with each other but local arts communities as well.

We are linked by activity in Mixed-Media art practice, which may be reduced to working with the materials at hand and has antecedents in collage, assemblage, found-object, and related practice. Our affinity with Fluxus, Cobra and the Dada Art Movement is a recognition of the importance and benefit of being attuned to the collaborative future.

To play, press and hold the enter key. To stop, release the enter key.

Carl Heyward is the founder of Global Art Project, Curator-Director Gallerie Renee Marie / USA

THE GLOBAL ART PROJECT : COLLABORATIVE PROCESS

Primary to any understanding of the approach that GAP (global art project) has undertaken in its collaborative art practice is the principle of trust; trust in ones fellow artists; trust in the process and trust in self. Without these essential elements nothing can be created; there is no GAP.

Add openness, willingness, a spirit of adventure and a love for experimentation with an equal amount of non-attachment to the results and you have, at least, the intellectual basis of our collaborative ambitions.

Out of nascent projects beginning in 2011-12 that involved an exchange of art and non-traditional materials using the postal service as a delivery system -- (canvasses, paper fragments ( frags), fabric and found objects -- that morphed into face-to-face workshop exercises in Venice, Italy in 2014, GAP's initial core group of five international artists ( USA, JAPAN, KOREA, AUSTRALIA and ISRAEL), winnowed down from more than 500 participants in previous projects; painters, mixed-media artists, fiber artists who lived together in a 15th Century Palazzo, exhibited solo works initially, then conducted well attended workshops for a month and experienced a level of harmony completely unexpected coupled with a naturalness of communication despite language and cultural challenges that informed our collaborative works, albeit tentative at first, which blossomed into some of the pieces exhibited presently at ROOM ART GALLERY and evolved through our continuous practice in Mexico, Italy and the US during the past two years.

No list or highly articulated detailed description can replace the value of the direct experience of this collaborative process. It is akin to a musical improvisation engaged in high-energy, rapid movements; of an insect colony seemingly of one mind persuaded to follow as one body through a silent, intuitive, almost telepathic dance; a high-tension tight rope walk over the treacherous heights of ego and control exhausting both resulting in outcomes that could not exist without this exchange of openness and exploration.

A mark is made, then another and perhaps passed on to someone else; maybe the work in progress is put to the side and returned to by the initiating artist or by another during a subsequent session;

an opening exercise may involve the making of automatic marks and then passing them around after tearing them into quarters and then collaged or re-assembled the parts as a point of departure; no ownership, no accountability for the marks; no judgement for the creations which, in turn may go through any number of permutations; a warm-up that leads to team ups and an abiding sense of non-attachment;

there is the WAILING WALL, a large roll of canvas or paper on the floor or tacked to the wall that invites noodling and ad hoc team colabs; simultaneous works are developing throughout the studio without a directive except what is aesthetically pleasing and maybe only for the moment, to be washed out or layered or collaged over in time;

the WAILING WALL also serves as a respite from "being stuck", of not knowing how to complete a work and serves as a platform to re-direct those energies and return to previous work with a fresh eye having diverted doubt;

colab is indeed the building of layers in an architecture of shared immediate experience without referee, pushing limits, abilities and expectations developing patience, moderating arrogance, finding the steps in the dance, soft-shoe into the collaborative future.

GAP founder and curator : Carl Heyward

Global Art Project