GLOBAL ART PROJECT

...an international mixed-media collaborative collective...

GAP Is a membership based international collaborative of Mixed-media Artists whose active participants vary between 6-20 depending on the project. Having roots initially in web based activity beginning in 2012 (post card and correspondence art projects such as KNEE(jerk) Fragmentation Project)

GLOBAL ART PROJECT has generated numerous workshops, exhibitions and collaborative studio experiences in Venice, Lecce and Treviso Italy, Mazatlan, Mexico, San Francisco, Mill Valley, Benicia, Sausalito and Novato California. Our work reflects individual, personal and global concerns by virtue of intention. We are creating and exhibiting work that allows freedom of expression given this unique format to communicate beyond language and culture with diverse artists from all over the world while remaining open to the opportunities of the moment accessed through this circumstance in settings allowing interaction not only with each other but local arts communities as well.

 

We are linked by activity in mixed-media art practice, which may be reduced to working with the materials at hand and has antecedents in collage, assemblage, found-object and related practice. Our affinity with Fluxus, Cobra, and the Dada Art Movement is a recognition of the importance of being attuned to the collaborative future.

To play, press and hold the enter key. To stop, release the enter key.

Carl Heyward  is the founder of Global Art Project, Curator-Director Gallerie Renee Marie / USA

THE GLOBAL ART PROJECT : COLLABORATIVE PROCESS

Primary to any understanding of the approach that GAP (global art project) has undertaken in its collaborative art practice is the principle of trust; trust in ones fellow artists; trust in the process and trust in self. Without these essential elements nothing can be created; there is no GAP.

 

Add openness, willingness, a spirit of adventure and a love for experimentation  with an equal amount of non-attachment to the results and you have, at least, the intellectual basis of our collaborative ambitions.

 

Out of nascent projects beginning in 2011-12 that involved an exchange of art and non-traditional materials using the postal service as a delivery system -- (canvasses, paper fragments ( frags), fabric and found objects -- that morphed into face-to-face workshop exercises in Venice, Italy in 2014, GAP's initial core group of five international artists ( USA, JAPAN, KOREA, AUSTRALIA and ISRAEL), winnowed down from more than 500 participants in previous projects; painters, mixed-media artists, fiber artists who lived together in a 15th Century Palazzo, exhibited solo works initially, then conducted well attended workshops for a month and experienced a level of harmony completely unexpected coupled with a naturalness of communication despite language and cultural challenges that informed our collaborative works, albeit tentative at first, which blossomed into some of the pieces exhibited presently at ROOM ART GALLERY and evolved through our continuous practice in Mexico, Italy and the US during the past two years.

No list or highly articulated detailed  description  can replace the value of the direct experience of this collaborative process. It is akin to a musical improvisation engaged in high-energy, rapid movements; of an insect colony seemingly of one mind persuaded to follow as one body through a silent, intuitive, almost telepathic dance; a high-tension tight rope walk over the treacherous heights of ego and control exhausting both resulting in outcomes that could not exist without this exchange of openness and exploration.

A mark is made, then another and perhaps passed on to someone else; maybe the work in progress is put to the side and returned to by the initiating artist or by another during a subsequent session;

 

an opening exercise may involve the making of automatic marks and then passing them around after tearing them into quarters and then collaged or re-assembled the parts as a point of departure; no ownership, no accountability for the marks; no judgement for the creations which, in turn may go through any number of permutations; a warm-up that leads to team ups and an abiding sense of non-attachment; 

 

 

there is the WAILING WALL, a large roll of canvas or paper on the floor or tacked to the wall that invites noodling and ad hoc team colabs; simultaneous works are developing throughout the studio without a directive except what is aesthetically pleasing and maybe only for the moment, to be washed out or layered or collaged over in time;

 

the WAILING WALL also serves as a respite from "being stuck", of not knowing how to complete a work and serves as a platform to re-direct those energies and return to previous work with a fresh eye having diverted doubt;

 

colab  is indeed the building of layers in an architecture of shared immediate experience without referee, pushing limits, abilities and expectations developing patience, moderating arrogance, finding the steps in  the dance, soft-shoe into the collaborative future.

 

 

 

GAP founder and curator : Carl Heyward 

Global Art Project 

March 2016

Macha Mélanie

Collaboration is a learning process :

Non-Attachment to Materials or Outcomes

 

Freedom of Expression

 

No Censorship

 

No Ownership

 

No Direction

 

No Masterpieces

 

No / MIND : not too much analysis,

being in the moment of creation and

sharing that moment

 

Exchange of Technical Information

 

Experimentation  in Modes of Working 

 

Working with Unfamiliar Materials

 

A Generosity of Spirit

During covid-19 time, Gap is still creating Art.
Come on and see GAP works in the Quarantine
Gallery & Studio mag.

See GAP interview from INSPIRATIONAL MAGAZINE :

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See Akiko Suzuki interview from INSPIRATIONAL MAGAZINE :

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